MA-67 Studio Condenser Microphone, 34mm Gold Large Diaphragm Capsule, Including Hydro Pop Filter, Metal Shock Mount, XLR Cable and Mic Bag - for Music Production, Vocal Recording and Podcasting

I had the MXL880 before, which was good too, but it darkened my voice (made it sound more bassey).This mic is very clear and natural sounding. It comes with a pop filter which, I do not like in my opinion, but the mic itself is durable, along with the stand it comes with. Since it does not pinch, it has no risk of slipping, since you screw on the microphone.Overall, it's a great product, looks good, and it sounds great, especially at the price I bought it. I like it better than the MXL880 due to its natural sound, and sensitivity.

I'm a musician, and while I’m not as picky as a dedicated audio producer, it’s rare for me to really like a cheap microphone. But this one I really like, and it comes with a lot of accessories.Basically, you’ll only need to get a stand; the rest is just assembling things and you're good to go.It comes with a shock mount, which is essential for condenser mics, a pop filter, a connection cable, and of course, the mic itself.I wish I’d seen this one earlier! When I bought my Audio-Technica AT2020, it was such a hassle to find a compatible shock mount. I even had to buy the pop filter and XLR cable separately.Note: You’ll need a phantom power connection, otherwise, the mic won’t work. I personally use the Audient EVO 8, and both work great together.

I use this mic for personal and professional music recording and it does the job great. Depending on the singer you may need to EQ a bit of the high mids and highs but apart from that I have no complaints. It's a condenser mic so it's very powerful and will pic up a lot of quiet noises in the background but if you have a good treated room then thjs js what you're looking for.

Built tough! No joke this thing has some weight to it. I checked out some reviews on this mic before I bought it and wow I was blown away by what a 109 bux can do! Not to mention the shock mount. The shock mount don't feel cheap either it is heavy duty. Not your typical cheaply made shock mounts.... No, no No... I'm glad I bought! Do yourself a favor and buy this thing!

I bought an aftermarket boom arm for the mic, and hooked it up to my computer through my Focusrite Scarlet solo. Playing games with voice chat I can tell y'all I've gotten so many compliments on how crisp my mic sounds, and as I'm trying to get into music making, using a playback option/ listening back to my voice after recording a vocal track, It sounds just as good as you'd want a $500 microphone to sound. Add in some vocal editing, reverb, and maybe a bit of auto-tune, this microphone can and ABSOLUTELY WILL sound as good and BETTER than microphones over $1k. Watch the YouTube videos, the proof's in the pudding.

Awesome condenser mic

Good sound quality! Even though it is an XLR mic and needs the music interface to go along with it, it was still an easy setup and sounds great. Came in having everything and looking as expected.

It's a decent condenser mic - very sensitive. The clarity is there and it reproduces what it records very well. It feels sturdy and is all metal with a bit of heft. I'm on the fence whether it is actually worth the $109. It's pretty good, don't get me wrong. I wanted to be blown away by it at the cost and almost was until I started to critically listen to it.The shock mount is sturdy but it has a design flaw of some sort because it resonates and you can hear the resonating frequencies. I have socks wrapped on the inside of the mount to the mic to dampen this excess resonance. The shock mount doesn't do much in terms of shock absorption either. It does a little as there is an obvious difference if you tap the mic directly.The mic itself picks up every sound scrape and impact on the chord. There is no dampening the chord to mic so you just have to live with it and be careful. Internally there is obviously no dampening or shock absorption.At around the 10.5khz to 11.5khz range there is a horrible brittle high end distortion. It's subtle, but there. The high end is just too hot on this mic. It's not a constant electronic buzzing or anything like that it's how the mic picks up sound. I have to knock down that range to smooth out the sound.Comparing it to the original King Bee (I bought years ago), the king bee wins overall for a lower price and smoothness but tends to be a bit boomier than the MA-67.